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2012
- Said Sayrafiezadeh: “A Brief Encounter With the Enemy” (in The New Yorker)
- Adam Peterson’s “It Goes Without Saying” (in Camera Obscura #3)
- Alissa Nutting: “She-Male” (from Unclean Jobs for Women and Girls)
- Ashley Farmer: “Digging Deep” (in kill author #15)
- Anthony Luebbert: “Bobby Kennedy and His Sea Lion Sandy” (in Quick Fiction)
- Ben Lerner: “Leaving the Atocha Station” (from Leaving the Atocha Station)
- Casey Hannan: “Piano Hands” (in PANK)
- Charles Dodd White: “Winter by Heart” (in PANK)
- Colm Toibin: “The Street” (in McSweeney’s #36)
- George Saunders: “Home” (in The New Yorker)
- Hannah Voskuil: “Currents” (from Sudden Fiction Youth)
- Jeremy Robert Johnson: “Persistence Hunting” (from We Live Inside You)
- Jon Trobaugh: “L’Anguille” (in TRNSFR #4)
- Kirsty Logan: “Underskirts” (in PANK)
- Leslie Bazzett: “Screen Test” (in New England Review, V. 32, #2)
- Mary Stone: “We Will Plan Big Things” (in kill author #15)
- Mike Meginnis: “The Navigators” (in Hobart #12)
- Nathaniel Rich: “The Northeast Kingdom” (in McSweeney‘s #38)
- Pinckney Benedict: “The Beginning’s of Sorrow” (from Miracle Boy and Other Stories)
- Scott McClanahan: “any story in Stories V!”
- Ysabel Sex: “Fuck Coolhunter” (I looked for this but couldn’t find it, sorry.)
- Aimee Bender: “The Color Master” (in Cincinnati Review and from My Mother She Killed Me My, Father He Ate Me)
- Allyson Armistead: “Oasis” (in eight cuts)
- Amanda Goldblatt: “If Your Light Must Leave You” (in The Collagist)
- Angi Becker Stevens: “The Opposite of Free” (in Wigleaf)
- April Ayers Lawson: “Virgin” (in The Paris Review)
- Deborah Willis: “Remember, Relive” (from Vanishing and Other Stories)
- Elaine Castillo: “Graphy, or The Girlhood of Achilles” (in PANK)
- Heidi Julavits: “Multiples of Cohen” (in Harper’s)
- Ingvar Ambjornsen: “Another Star” (in McSweeney’s 35)
- Jennifer Egan: “A Visit from the Goon Squad” (from A Visit from the Goon Squad)
- Matt Bell: “Dredge” (in Hayden’s Ferry Review #45)
- Rachel B. Glaser: “The Monkey Handler” (from Pee on Water)
- Roxane Gay: “Do You Have a Place For Me” (in spork)
- Roxane Gay: “La Negra Blanca” (in The Collagist)
- Seth Fried: “Those of Us in Plaid” (in McSweeney’s #33)
- Stepen A. Dixon: “Wife in Reverse” (in matchbook)
- Amina Cain: “Black Wings” (from I Go to Some Hollow)
- Sam Pink: “Saved by the Bell” (in Titular)
- Steve Almond: “Donkey Greedy, Donkey Get Punched” (in Tin House)
- Ted Chiang: “Exhalation” (in Eclipse Two)
- Brian Van Reet: “The Rooster” (in Shenandoah vol. 58 #1)
- Glen Pouciau: “Claim ” (in The Paris Review)
- Jill McCorkle: “Magic Words” (in Narrative Magazine)
- Kyle Minor: “They Take You” (in Pilots With Guns #3)
- Mary Ruefle: “A Half-Sketched Head” (from The Most of It)
- George Saunders: “Puppy” (in The New Yorker)
- Chris Adrian: “A Better Angel” (in The New Yorker)
- Brian Evenson: “Mudder Tongue” (in McSweeney’s #16)
- James Salter: “Last Night” (from Last Night)
- Jeremy Robert Johnson: “Swimming in the House of the Sea” (from Angel Dust Apocalypse)
- Chuck Palahniuk: “Guts” (in Playboy)
- Brian Evenson: “Moran’s Mexico” (from The Wavering Knife)
- David Foster Wallace: “Incarnations of Burned Children” (from Oblivion)
- Sherman Alexie: “What You Pawn I Will Redeem” (in The New Yorker)
- Spencer Holst: “Brilliant Science” (from Brilliant Science, 2000)
- William Gay: “The Paperhanger” (in Harper’s, 2000)
- Joshua Ferris: “Mrs. Blue” (in The Iowa Review V. 29, #2, pp. 34–46, Fall 1999)
- Ken Kalfus: “Pu-239″ (from Pu-239 and Other Russian Fantasies, 1999)
- Gene Wolfe: “Tracking Song” (in The Island of Doctor Death and Other Stories, 1997)
- Greg Egan: “Crystal Nights” (from Crystal Nights and Other Stories, 1997) (PDF)
- A.M. Homes: “A Real Doll” (in Barcelona Review, 1990)
- Gene Wolfe: “Seven American Nights” (from Sailing to Byzantium/Seven American Nights, 1989)
- Barry Hannah: “Testimony of Pilot” (from Airships, 1974)
- Stephen King: “Cain Rose Up” (in Ubis, 1968, and from Skeleton Crew, 1985)
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