Talijanski dark ambient iz cca '70-ih.
Dan je bio toliko lijep da nisi mogao vidjeti ni prst pred okom.
Oligo-kapitalizam je bio toliko skriven da si ga morao tražiti u mrtvim tijelima, i ne bi ga uspio ni tada naći. Toliko se dobro skrivao.
Cicciolina Holocaust, Albeit Albeit
There's no shortage of electronic reissue imprints operating these days, especially ones concentrating on 'lost' synth-wave recordings from the late 70's - mid 80's - but few have access to the kind of material amassed over the years by Forced Nostalgia, a brand new label curated by one of Belgium's most knowledgeable and methodical sound archivists: Fré De Vos. The breadth and quality of the material already scheduled for release by Forced Nostalgia is just jaw-dropping - extending the remit to begin with the post-punk heyday of the late 70's all the way through to the mid 90's, taking in often unreleased, mostly unheard and overlooked material from tape music to industrial, from bossa-pop to proto-techno, from drone to out and out analogue experimentation - with the vast majority of the music now being made available on vinyl for the very first time. For this first release, the label has unearthed incredible material from two brilliantly monikered production units dating back to the early-mid 80's: Cicciolina Holocaust and Sermonizer. Florim Prishtina and Rezart Veseli recorded together as Cicciolina Holocaust in Firenze, (Italy) during the late '70s and early '80s, releasing several tapes, all as small private editions given to friends. Using a bunch of drum machines, home-made electronic synths, guitars, effects pedals and a Tascam 4-track Portastudio, the pair produced oppressive and uber-dark synthscapes and minimal proto-techno experiments that slot perfectly alongside the kind of darkside work typified by Regis and the more experimental end of the Downwards label in 2011. - Boomkat