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Volume 18, 2014
1997
Vol 16, No 1 (2012)
Edited by David Sorfa, Graham Matthews, Matthew Holtmeier and Ben Tyrer
Table of Contents
Articles
Book Reviews
| Peter Wollen (1993/2008) Raiding the Icebox: Reflections on Twentieth-Century Culture |
PDF
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| Alexandra Dumitrescu |
232-237 |
| Amy Herzog (2010) Dreams of Difference, Songs of the Same: The Musical Moment in Film |
PDF
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| Mithuraaj Dhusiya |
238-242 |
| Alban Pichon (2009) Le cinema de Leos Carax. L’experience du déjà-vu |
PDF
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| Daniele Rugo |
243-245 |
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Catherine Wheatley (2009) Michael Haneke’s Cinema: The Ethic of the Image |
PDF
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| John Anthony Bleasdale |
246-250 |
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Homay King (2010) Lost in Translation: Orientalism, Cinema, and the Enigmatic Signifier |
PDF
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| David H. Fleming |
251-255 |
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Sheila J. Nayar (2010) Cinematically Speaking: The Orality-Literacy Paradigm for Visual Narrative |
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| Kathleen Elizabeth Scott |
256-262 |
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Paula Amad (2010) Counter-Archive: Film, the Everyday, and Albert Kahn's Archives de la Planète |
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| Katherine Groo |
263-269 |
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Cristina Vatulescu (2010) Police Aesthetics: Literature, Film and the Secret Police in Soviet Times |
PDF
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| Laszlo Strausz |
270-275 |
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Courtland Lewis and Paula Smithka, eds. (2011) Doctor Who and Philosophy: Bigger on the Inside |
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| Tim Jones |
276-280 |
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Phyllis Frus and Christy Williams, eds. (2010) Beyond Adaptation: Essays on Radical Transformations of Original Works |
PDF
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| Frances Smith |
281-286 |
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Cristina Johnston (2010) French Minority Cinema |
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| Jehanne-Marie Gavarini |
287-291 |
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Todd McGowan (2011) Out of Time: Desire in Atemporal Cinema |
PDF
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| R.d. Crano |
292-298 |
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Richard Rushton (2011) The Reality of Film: Theories of Filmic Reality |
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| Timothy Robert Holland |
299-302 |
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Tim Palmer (2011) Brutal Intimacy: Analyzing Contemporary French Cinema |
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| Caroline Walters |
303-306 |
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Patrick J. Cook (2011) Cinematic Hamlet: The Films of Olivier, Zeffirelli, Branagh, and Almereyda |
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| Rajesh Kumar Sharma |
307-312 |
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Alexie Tcheuyap (2011) Postnationalist African Cinemas |
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| Zachary Thomas Ingle |
313-316 |
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Maurice Yacowar (2010) Hitchcock's British Films, 2nd edt. |
PDF
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| Zorianna Zurba |
317-319 |
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Felicity Colman (2011) Deleuze and Cinema: The Film Concepts |
PDF
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| Kam Chui Ping |
320-322 |
Vol 15, No 2 (2011)
The Disgust Issue
Table of Contents
Articles
Book Reviews
| Dina Iordanova, David Martin-Jones and Belén Vidal (2010) Cinema at the Periphery |
PDF
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| Rowena Santos Aquino |
106-112 |
| Richard Greene and K. Silem Mohammad, eds. (2010) Zombies, Vampires, and Philosophy: New Life for the Undead |
PDF
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| Caroline Walters |
113-118 |
| Joseph Mai (2010) Jean-Pierre and Luc Dardenne |
PDF
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| R. D. Crano |
119-125 |
| Boaz Hagin (2010) Death in Classical Hollywood Cinema |
PDF
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| Richard Lindley Armstrong |
126-128 |
| Peter Lee-Wright (2010) The Documentary Handbook |
PDF
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| Wes Skolits |
129-134 |
| William Brown, Dina Iordanova and Leshu Torchin (2010) Moving People, Moving Images: Cinema and Trafficking in the New Europe |
PDF
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| Alison Frank |
135-138 |
| Richard Misek (2010) Chromatic Cinema |
PDF
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| Robert Barry |
139-142 |
| Alain Badiou (2010) Cinéma |
PDF
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| Manuel Ramos |
143-149 |
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Annie van den Oever, ed. (2010) Ostrannenie |
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| Lara Alexandra Cox |
150-153 |
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William J. Devlin and Shair Biderman, eds. (2011) The Philosophy of David Lynch |
PDF
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| Keith Dromm |
154-158 |
| David Martin-Jones (2010) Scotland: Global Cinema: Genres, Modes and Identities. |
PDF
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| John Marmysz |
159-165 |
Vol 15, No 1 (2011)
Phenomenology and Psychoanalysis
Edited by David Sorfa
Table of Contents
Articles
Interviews
| Brecht Today: Interview with Alexander Kluge |
PDF
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| Angelos Koutsourakis |
220-228 |
Film Festival Reports
| Venice Film Festival 2010: The Mad and the Bad and the Dangerous to Know |
PDF
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| John Bleasdale |
229-233 |
| Berlin International Film Festival - Berlinale 2011 |
PDF
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| Alison Elizabeth Frank |
234-239 |
Book Reviews
| Mark T. Conard, ed. (2009) The Philosophy of the Coen Brothers |
PDF
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| Taylor Benjamin Worley |
240-246 |
| Frederick Wasser (2010) Steven Spielberg’s America |
PDF
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| Steven Rybin |
247-254 |
| Claire Molloy (2010) Memento; Geoff King (2010) Lost in Translation; Gary Needham (2010) Brokeback Mountain. American Indies Series. |
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| John Bleasdale |
255-261 |
| Sidney Gottlieb and Richard Allen, eds. (2009) The Hitchcock Annual Anthology: Selected Essays from Volumes 10-15 |
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| Tifenn Brisset |
262-266 |
| Richard Abel, ed. (2010) Encyclopedia of Early Cinema |
PDF
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| Carrie Giunta |
267-269 |
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Jim Ellis (2009) Derek Jarman's Angelic Conversations |
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| Jason Wakefield |
270-277 |
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Christopher Lindner, ed. (2009) The James Bond Phenomenon: A Critical Reader. 2nd Edition. |
PDF
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| Lucy Bolton |
278-282 |
Vol 14, No 2 (2010)
Baudrillard and Film-Philosophy
Edited by Jon Baldwin
Table of Contents
Articles
Book Reviews
| Eugene W. Holland, Daniel W. Smith and Charles J. Stivale, eds. (2009) Gilles Deleuze: Image and Text |
PDF
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| Caroline Hagood |
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| Lukas Bleichenbacher (2008) Multilingualism in the Movies: Hollywood Characters and their Language Choices |
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| Michael Abecassis |
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| Mark Slobin, ed. (2008) Global Soundtracks: Worlds of Film Music |
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| Aparna Sharma |
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| Marc Augé (2009) Casablanca: Movies and Memory |
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| Anna Magdalena Elsner |
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| Lindiwe Dovey (2009) African Film and Literature: Adapting Violence to the Screen |
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| Helena Cantone |
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| Andrew Asibong (2008) François Ozon |
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| Ger Zielinski |
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| John Mullarkey (2009) Refractions of Reality: Philosophy and the Moving Image |
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| Joshua Conrad Hilst |
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| Ellis Cashmore (2009) Martin Scorsese's America |
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| Michael Meneghetti |
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| Mike King (2009) The American Cinema of Excess: Extremes of the National Mind on Film |
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| Michael B. Mathias |
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| Alexander García Düttmann (2009) Visconti: Insights into Flesh and Blood |
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| J. Douglas Macready |
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| Francesco Casetti (2008) Eye of the Century: Film, Experience, Modernity |
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| Adriano D'Aloia |
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| Laura Rascaroli (2009) The Personal Camera: Subjective Cinema and the Essay Film |
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| Matilde Nardelli | | | | |
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Vol 14, No 1 (2010)
Edited by David Sorfa and Greg Tuck
Table of Contents
Extended Article
Multimedia
Articles
| Simulation, Simulacra and Solaris |
PDF
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| Julian Haladyn, Miriam Jordan |
253-273 |
Film Festival Reports
| Venice Film Festival 2009: Survival of the Fittest |
PDF
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| John Bleasdale |
274-286 |
| New York Film Festival 2009: Gimme Provocation |
PDF
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| Martha P. Nochimson |
287-302 |
Book Reviews
| Domietta Torlasco (2008) The Time of the Crime: Phenomenology, Psychoanalysis, Italian Film |
PDF
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| Alan Fair |
303-309 |
| James Walters (2008) Alternative Worlds in Hollywood Cinema: Resonance Between Realms |
PDF
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| David Sterritt |
310-317 |
| Daniel Barnett (2008) Movement as Meaning in Experimental Film |
PDF
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| Kim Knowles |
318-325 |
| Dean A. Kowalski, ed. (2007) The Philosophy of the X-Files |
PDF
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| Andrew Patrick Nelson |
326-331 |
| Dan Flory (2008) Philosophy, Black Film, Film Noir |
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| Brian Butler |
332-336 |
| James Phillips, ed. (2008) Cinematic Thinking: Philosophical Approaches to the New Cinema |
PDF
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| William Brown |
337-349 |
| Jay McRoy (2007) Nightmare Japan: Contemporary Japanese Horror Cinema |
PDF
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| Juneko J. Robinson |
350-360 |
| David E. Morrison, Matthew Kieran, Michael Svennevig and Sarah Ventress (2007) Media & Values. Intimate Transgressions in a Changing Moral and Cultural Landscape |
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| Laura Sava |
361-366 |
| Daniel Herwitz (2008) The Star as Icon: Celebrity in the Age of Mass Consumption |
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| Wing-Fai Leung |
367-370 |
| Irving Singer (2007) Ingmar Bergman, Cinematic Philosopher: Reflections on his Creativity |
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| Thorsten Botz-Bornstein |
371-376 |
| Irving Singer (2008) Cinematic Mythmaking: Philosophy in Film |
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| Robert Sixto Sinnerbrink |
377-386 |
| Ian Buchanan and Patricia MacCormack, eds. (2008) Deleuze and the Schizoanalysis of Cinema |
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| Micki Nyman |
387-391 |
| Mark Rowlands (2008) Fame |
PDF
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| Ben Hutchens |
392-394 |
| Sarah Cooper (2008) Chris Marker |
PDF
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| Oliver Mayer |
395-400 |
| Sarah Cooper (2008) Chris Marker |
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| Joana Pimenta |
401-414 |
| Dean A. Kowalski, ed. (2008) Steven Spielberg and Philosophy: ‘We’re Going to Need a Bigger Book’ |
PDF
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| John Bleasdale |
415-421 |
| Timothy Murray (2008) Digital Baroque: New Media Art and Cinematic Folds |
PDF
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| John A. Riley |
422-429 |
| Joe McElhaney, ed. (2009) Vincente Minnelli: The Art of Entertainment |
PDF
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| Paul Anthony Johnson |
430-439 |
| Sandra Shapshay, ed. Bioethics at the Movies |
PDF
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| Pramod Nayar |
440-444 |
| Inga Scharf (2008) Nation and Identity in the New German Cinema: Homeless at Home |
PDF
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| Susanne Schmetkamp |
445-452 |
| Constantin Boundas, ed. (2009) Gilles Deleuze: Intensive Reduction |
PDF
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| Robert King |
453-461 |
| Winfried Pauleit, Christine Rüffert, Karl-Heinz Schmid, Alfred Tews, eds. (2009) Das Kino träumt: Projektion, Imagination, Vision / Cinema Dreams: Projection, Imagination, Vision |
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| Sylvie Magerstädt |
462-467 |
| Katherine Thomson-Jones (2008) Aesthetics and Film |
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| Abigail Keating |
468-474 |
| Michael J. Shapiro (2009) Cinematic Geopolitics |
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| R. D. Crano |
475-480 |
| Randall E. Auxier and Phil Seng, eds. (2008) The Wizard of Oz and Philosophy: Wicked Wisdom of the West |
PDF
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| Anthony Metivier |
481-483 |
| Thomas R. Lindlof (2008) Hollywood Under Siege: Martin Scorsese, the Religious Right, and the Culture Wars |
PDF
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| Colm O'Shea |
484-489 |
| Karen Ward Mahar (2008) Women Filmmakers in Early Hollywood |
PDF
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| Sara Ross |
490-495 |
| Mark T. Conrad, ed. (2009) The Philosophy of Neo-Noir |
PDF
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| Chris Pallant |
496-500 |
Vol 13, No 1 (2009)
Edited by David Sorfa
Table of Contents
Articles
| 'Occupy without Counting': Furtive Urbanism in the Films of Jean-Pierre and Luc Dardenne |
PDF
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| R. D. Crano |
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| Hegel and the Impossibility of the Future in Science Fiction Cinema |
PDF
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| Todd McGowan |
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| Godfathers and Sons: Tripping Over the Unconscious |
PDF
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| Timothy O'Leary |
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| Meanings and authorships in Dune |
PDF
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| Tony Todd |
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Film Festival Reports
| Now Wait for Last Year: A Report from the 65th Venice International Film Festival 2008 |
PDF
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| John Bleasdale |
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| New York Film Festival 2008 - Part I: Of Time, Memory, and the 'I' |
PDF
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| Martha P. Nochimson |
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| New York Film Festival 2008 - Part II: Of Now, Passion, and the 'We' |
PDF
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| Martha P. Nochimson |
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Book Reviews
| Hanns Eisler and Theodor W. Adorno (1947/2007) Composing for the Films |
PDF
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| Leonardo Aldrovandi |
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| Daniel Herwitz (2008) Aesthetics |
PDF
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| Daniel Barnett |
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| Maria Pramaggiore (2008) Neil Jordan |
PDF
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| Sarah Boslaugh |
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| Patricia Pisters (2003) The Matrix of Visual Culture: Working with Deleuze in Film Theory |
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| D. H. Fleming |
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| David Martin-Jones (2006) Deleuze, Cinema and National Identity: Narrative Time in National Contexts |
PDF
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| Will Higbee |
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| Melanie Swalwell and Jason Wilson, eds. (2008) The Pleasures of Computer Gaming: Essays on Cultural History, Theory and Aesthetics |
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| John Finlay Kerr |
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| Sabine Nessel, Winfried Pauleit, Christine Rüffert, eds. (2008) Wort und Fleisch: Kino swischen Text und Körper / Word and Flesh: Cinema between Text and the Body |
PDF
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| Codruta Morari |
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| Stephen Mulhall (2008) On Film, 2nd Edition |
PDF
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| Joshua Shaw |
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| Martin O'Shaughnessy (2007) The New Face of Political Cinema: Commitment in French Film Since 1995 |
PDF
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| Tom Whittaker |
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| Thinking Political Cinema Now: A Response to Tom Whittaker |
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| Martin O'Shaughnessy |
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| Gail Cunningham and Stephen Barber (2007) London Eyes: Reflections in Text and Image |
PDF
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| Sarah Wishart |
Vol 12, No 1 (2008)
Claire Denis and Jean-Luc Nancy
Edited by Douglas Morrey
Table of Contents
Articles
| Introduction: Claire Denis and Jean-Luc Nancy |
PDF
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| Douglas Morrey |
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| Icon of Fury: Claire Denis's Trouble Every Day |
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| Jean-Luc Nancy |
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| Open Wounds: Body and Image in Jean-Luc Nancy and Claire Denis |
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| Douglas Morrey |
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| The Practice of Strangeness: L'Intrus - Claire Denis (2004) and Jean-Luc Nancy (2000) |
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| Martine Beugnet |
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| The Community According to Jean-Luc Nancy and Claire Denis |
PDF
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| Anja Streiter |
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| Deconstructing Community and Christianity: 'A-religion' in Nancy's Reading of Beau travail |
PDF
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| Laura McMahon |
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Book Reviews
| Caroline Bainbridge (2007) The Cinema of Lars von Trier: Authenticity and Artifice |
PDF
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| Davina Quinlivan |
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| Time, Affect, and the Brain: Deleuze’s Cinematic Aesthetics: Darren Ambrose and Wahida Khandker (eds.) (2005) Diagrams of Sensation: Deleuze and Aesthetics: Pli, The Warwick Journal of Philosophy |
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| Robert Sinnerbrink |
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| Eyal Peretz (2007) Becoming Visionary: Brian De Palma’s Cinematic Education of the Senses |
PDF
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| Edward Willat |
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| Style and Substance in The Matrix: Stacy Gillis. Ed. (2005) The Matrix Triology: Cyberpunk Reloaded |
PDF
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| Thorsten Botz-Bornstein |
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| Martin Harries (2007) Forgetting Lot’s Wife: On Destructive Spectatorship |
PDF
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| R. D. Crano |
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