Želatina na želatini.
www.rebeccacairns.com/
May 19, 2013
April 1, 2013
"In a way, her memory is a theory about how the hanged woman looked to
her in the orchard, which she has to respect, in the sense that the
landscape’s immanence is an organically developing failure of its
language to speak its content. The connection between word and idea
corresponding to the landscape is retained, but the connection between
the word and the landscape is lost, so the shadow of a hill stays dark
during lightning. How she sees the lightning is a time lapse into the
planar dimension, a hierarchy of grammar or deference by way of the word
belonging to her such as lady suicide or woman suicide, because the
woman doesn’t die in her own absence or in effigy, so that no existing
philosophy and no philosopher will know soon, enough points with enough
speed to handle the richness of her reconstruction of her or him for
long. He starts to see patterns in the words and the patterns are pretty
to him and distract him. It is well known that lightning is attracted
to body heat, a person on horseback or a large saguaro, the way a racket
of birds in the morning is a kind of empathy for two people. If we
retain the belief that her image of him or her, let’s say him, is a
pre-requisite for gaining consciousness of the unknown person, we
suppose there is no direct channel of communication to the unknown
person, with the result that facts about him or her must exit into the
world, before a life can be perceived between the light and dark of
function or the object, and desire or the image..."
- Mei-Mei Bersenbrugge
March 5, 2013
February 11, 2013
January 24, 2013
the shape that our bodies conform to
October 19, 2012
My work will also be a part of the SPLICE group exhibition at the University of Toronto Art Centre (UTAC) on the 23rd of October.
There will also be an opening at Blackwood Gallery (UTM) on the following day.
Both of these exhibitions close on December 1st.
October 15, 2012
September 28, 2012
My work is featured in the first issue of Collarbones Magazine.
You can find my work on pages 270-273, here.
September 17, 2012
August 10, 2012
I can only ever think of you
July 10, 2012
Today
I received my copy of Russian-based 'Hooligan' magazine. I am
incredibly honoured to have my work featured on the cover- and there is
an accompanying spread with a few of my other images as well. Click here for their website. The content inside is wonderful- as is the feeling of the paper in my hands.
In
other news, I am going to be in the UK for a few weeks... and because
of this, print orders will have to be postponed until I return. I am
still able to do print requests- but the current items listed in my shop
will not be available.
July 8, 2012
all that's left of me
-
incredibly inspiring, beautiful and talented diane schuh. thank you for everything...
June 20, 2012
jeanne madic was another being who was kind enough to host me during my travels to france. you can see or hear her work by clicking here. she also took many lovely photographs of me, which you can see on her blog.
June 15, 2012
" with your voice my belly sunk, and i began to feel so drunk "
and here are some new features/articles about my work
hooligan magazine | anonym magazine | le grand jeu | chameleon magazine | feature shoot group show
hooligan magazine | anonym magazine | le grand jeu | chameleon magazine | feature shoot group show
June 10, 2012
I
spent some time in France during the past two weeks. I was lucky enough
to meet some very beautiful and inspiring people who were able to lift
my low spirits; Aëla Labbé being one of these people. A big thank you
to her for sharing such beautiful words and environments with me- and my
gratitude goes to her for standing many feet above me to help capture
these images while I braved the cold waters.
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